Monday, 01 December 2008
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KCSB, Santa Barbara, California. — with
news/talk
Part of the lure of electronic music is the ability for one musician to perform highly complex compositions, or for the composer to hear his music without the need for performers at all. Splicing and digital editing allows this of course, but it is very tedious. As soon as analog synthesis became affordable, music engineers began looking for methods of automatic control for the systems.
